NEWS & CONCERTS
Mirrors of Earth
Kaija Saariaho's Maa with a new video work by Ailbhe Ní Bhriain
Project Arts Centre, Dublin,
9 November 2013
Mermaid Arts Centre, Bray, 14 November 2013
Kaija Saariaho's haunting chamber-ensemble composition MAA was originally conceived as a ballet; in Mirrors of Earth the choreography is replaced by a newly commissioned seven-part video work by Cork-based artist Ailbhe Ní Bhriain. Varying in forces from surround-sound 'tape' to septet, each movement is counterpointed by a large format, cinema-quality, HD video work projected above the performers.
MAA (meaning "land", "country", "world" or "earth") is one of Saariaho's first large scale works. Ní Bhriain's remarkable response in seven projected video works, combining filmed and computer-generated imagery, matches Saariaho's score in scale and rhythm and confronts the themes which permeate Saariaho's work – journey, distance, longing, memory and sense of place. The musical/visual engagement operates at multiple levels, in keeping with a composition which is not obviously narrative or goal-directed, and which explores a myriad of timbres through combined electronic, surround sound and instrumental forces.
Photo: Mihai Cucu
Performers: David Adams(conductor), Bogdan Sofei (violin), Andreea Banciu(viola), Adrian Mantu (cello), Julie Maisel (flute), Cliona Doris (harp), Michael Quinn(harpsichord), Maeve O'Hara (percussion), Fergal Dowling (computer), Alexis Nealon (sound projection), Mihai Cucu (video projection).
Mirrors of Earth has been supported by an Arts Council Music Project Award,and with assistance from Dublin City Council, the Finnish Music Foundation, Cork City Council, the Finnish Embassy in Ireland and the Contemporary Music Centre.
Music, video, dance from Dublin & Bucharest
Smock Alley Theatre, Dublin, 8 June 2013
An international, inter-media collaboration with works by three Irish and three Romanian composers integrating acoustic music, live electronic music, interactive video and dance. Performers: Ana Chifu (flute), Maria Chifu (bassoon), Michael Quinn (harpsichord), Philip Connaughton (dance), Fergal Dowling (sound projection), Pairas Hoban (live electronics), Mihai Cucu (video projection), Cătălin Creţu (live video).
Jonathan Nangle, *untitled (after Dan Flavin), (tape and computer-controlled lights)
Cătălin Creţu & Mihaela Kavdanska, Inner Dust, (dance, interactive audio and video)
Piaras Hoban, *magic birth / magia figura, (harpsichord and live electronics)
Sabina Ulubeanu, *...of tears and dewdrops Passacaglia, (harpsichord, flute, bassoon, video, live electronics)
Fergal Dowling, *Imitation of Christ (flute, bassoon and computer)
Diana Rotaru, Ani-motions (flute, bassoon, tape, dance, video)
* Dublin Sound Lab commission
Soundtrack and Eight Computer Controlled Lights (2013) ‘untitled (after Dan Flavin)’ draws influence from the American visual artist Dan Flavin, who was famous for creating sculptural light installations arranged in geometric patterns using a limited colour palette and commercially available fluorescent light fixtures. Commissioned by Dublin SoundLab.
INNERDUST, an audio-visual performance with interactive projection by Mihaela Kavdanska (visual concept, camera, video editing) & Catalin Cretu (audio concept & sound processing & interaction programming), originally performed by Luiza Neumayer.
reSounding Dublin I
St Werburgh's Church, Dublin, 21 November 2012
Dublin Sound Lab invites four composers to write new works on the theme of 'resounding Dublin' for the historic organ at St Werburgh's Church. Each composer has found a unique solution to this challenge, and in this programme the 18th century organ at St Werburgh's is recontexualised with 'tape' music, live electronic music and recordings gathered from the wider cityscape. The concert features specially devised video projections by Mihai Cucu. Preceded by a public discussion at the Contemporary Music Centre, Fishamble Street (6.30pm). The composers discuss their works in relation to the programme theme, reSounding Dublin. Supported by Dublin City Council and presented in association with the Contemporary Music Centre, Dublin. Performers: Michael Quinn (organ), David Bremner (organ), Fergal Dowling (live eletronics), Rob Canning (live electronics).
Nissim Schaul, Harpsichord Swirl (multichannel fixed media)
Rob Canning, *53.342916 -6.269724 <-> 53.344252 -6.269788,
Wed Nov 21 20:XX:XX UTC 2012, (for organ, secondary acoustic and bidirectional audio stream)
David Bremner, *Interior Designs (for organ and electronics)
Fergal Dowling, *Ground (organ, multichannel live electronics)
Gráinne Mulvey, *Streetorgsounds (organ and fixed media)
* Dublin Sound Lab commission
New Harpsichord Music
National Muzic University, Bucharest, 28 August 2012
Dublin Sound Lab perform a programme of Irish and international works for harpsichord and electronics at the InnerSound Festival 2012, Bucharest, 28-30 August 2012. Dublin Sound Lab's participation at InnerSound Festival 2012 was kindly supported by Culture Ireland. Performers: Michael Quinn (harpsichord), Fergal Dowling (electronics).
Kaija Saariaho, Jardin Secret II (harpsichord and 4-channel 'tape')
Gerald Barry, Sur les Pointes (harpsichord)
Fergal Dowling, Sketch (harpsichord and computer)
Jonathan Nangle, dying from the moment it's struck (8-channel 'tape')
Jean-Claude Risset, Pentacle (harpsichord and 8-channel 'tape')
Music Current II
Project Arts Centre, Dublin, 22 October 2011
Concert of interactive group works devised during today's workshop. Also works by Karlheinz Essl. Julie Maisel (flute), Adrian Mantu (cello) Roger Moffatt (percussion), Karlheinz Essl (live electronics), plus Sebastian Adams, David Bremner, Rory Caraher, Jack Glacken, Andrew McGovern and Suzanne Walsh.
Devised work I (computer-controlled mixed ensemble)
Karlheinz Essl, el-emen’ (percussion and live electronics)
Devised work II (computer-controlled mixed ensemble)
Karlheinz Essl, more or less (four computers, percussion, flute, cello)
Real-Time Composition Workshop
Project Arts Centre, Dublin, 22 October 2011
Supervised by Karlheinz Essl, composers, improvisers and computer musicians collaborate to devise a programme for this evening's concert. Workshop participants: Sebastian Adams, David Bremner, Rory Caraher, Jack Glacken, Andrew McGovern and Suzanne Walsh.
Music Current I
Project Arts Centre, Dublin, 21 October 2011
On his first visit to Dublin Karlheinz Essl features in this portrait concert featuring works for soloists and electronics, trio and electronics and three improvisations by Karlheinz Essl using his own software instruments. Performers: Julie Maisel (flute), Annette Cleary (cello), Maeve O’Hara, (percussion), Karlheinz Essl, Fergal Dowling (live electronics), Michael Quinn (conductor).
Karlheinz Essl, Sequitur I (flute and live electronics)
Karlheinz Essl, Improvisation I (m@ze°2)
Karlheinz Essl, Sequitur IV (cello and live electronics)
Karlheinz Essl, Improvisation II (m@ze°2)
Karlheinz Essl, Sequitur XI (vibraphone and live electronics)
Karlheinz Essl, Improvisation III (m@ze°2)
Karlheinz Essl, blurred (flute, cello, percussion and live electronics)
Centre Culturel Irlandais, Paris, 12 April 2011
Music for actor, viola, harpsichord and computer. Dublin Sound Lab join forces with violist Garth Knox and actor Bryan Quinn in a programme of real-time interactive electronics. Supported by Culture Ireland and the Centre Culturel Irlandais. Performers: Garth Knox (viola), Michael Quinn (harpsichord), Bryan Quinn (voice), Fergal Dowling (electronics).
Karlheinz Essl, More or Less (for computer-controlled soloists)
Jean-Claude Risset, Pentacle (harpsichord/electronics)
Luca Francesconi, Animus II (viola and electronics)
Fergal Dowling, Sketch (based on Samuel Beckett's 'Worstward Ho', for actor, viola, harpsichord and computer)
Project Arts Centre, Dublin, 23 October 2010
Music for violin and eight loudspeakers. Finnish violinist Marja Gaynor performs two fascinating computer-mediated works by Irish composers Ann Cleare and Scott McLaughlin, together with Barry Truax's astonishing electronic masterpiece 'Riverrun', inspired by James Joyce's 'Finnegan's Wake'. Performers: Marja Gaynor (violin), Fergal Dowling (electronics).
Ann Cleare, IRK (violin and live electronics)
Scott McLaughlin, Primes (violin and live electronics)
Barry Truax, Riverrun (8-track tape)
Roderik de Man, Spazio Piccolo (violin solo)
Karen Tanaka, Wave Mechanics II (violin and tape)
Project Arts Centre, Dublin, 22 October 2010
Music for harpsichord, soprano and eight loudspeakers. In the opening concert Michael Quinn tackles two of the most demanding works in the contemporary harpsichord repertoire: Kaija Saariaho's mystical 'Jardin Secret II', and Jean-Claude Risset's stunning 'Pentacle' (both Irish premieres). Soprano Deirdre Moynihan delivers two virtuosic works for voice and tape by young Irish composers Ed Bennett and Judith Ring, contextualised by Jonathan Harvey's seminal electronic tour-de-force, 'Mortuos Plango, Vivos Voco', based on recordings of the human voice. Performers: Michael Quinn, (harpsichord), Deirdre Moynihan (soprano), Fergal Dowling (electronics).
Kaija Saariaho, Jardin Secret II (harpsichord and live electronics)
Jean-Claude Risset, Pentacle (harpsichord and 8-channel tape)
Ed Bennett, I Need This (soprano and tape)
Jonathan Harvey, Mortuos Plango Vivos Voco (8-track tape)
Judith Ring, Mouthpiece (soprano and tape)
The Late Harpsichord
St Werburgh's Church, Dublin, 28 November 2009
New works for harpsichord and electronics. Michael Quinn (harpsichord), Fergal Dowling (computer/electronics). Dublin Sound Lab is interested in developing the repertoire for our core ensemble and in June 2009 we invited composers to send us works for any combination of harpsichord, computer, and fixed media, of any duration and without restrictions as to age or nationality of the composer. From the submissions and proposals we received from Ireland, Britain, and from throughout Europe and America and we shortlisted works by Julio d'Escrivan, Nick Collins and Ailis Ni Riain.
Ailis Ni Riain, 2 Steep 4 Sheep (harpsichord and tape)
Nick Collins, Suite with Interruptions (harpsichord and computer)
Julio d'Escrivan, reGoldberg (harpsichord and computer)
J.S. Bach, Movements from Goldberg Variations (harpsichord solo)
Fergal Dowling, Stops (harpsichord and computer)
Garth Knox, solo
St Werburgh's Church, Dublin, 26 November 2009
Contemporary music for viola and electronics. Garth Knox (viola), Fergal Dowling (electronics). Dublin Sound Lab is delighted to present this special performance of contemporary French and Italian music for viola and electronics.
Gerard Grisey, Prologue (viola and electronics)
Salvatorre Sciarrino , 3 notturni brillanti (viola)
Karlheinz Essl, Vent Nocturne (viola and electronics)
Garth Knox , Viola Spaces (viola)
Luca Francesconi , Animus II (viola and electronics)
Garth Knox, on contemporary viola repertoire
Contemporary Music Centre, Dublin, 26 November 2009
Garth Knox leads a discussion on aspects of contemporary viola writing with special reference to the programme for this evening's concert. This event is supported and hosted by the Contemporary Music Centre, Fishamble Street, Dublin.
St Teresa's Church, Dublin, 21 November 2008
New works for organ, computer, double bass and violin, with Michael Quinn (organ), Fergal Dowling (computer), Marja Gaynor (violin), Mercedes Carroll (double bass).
Karlheinz Essl, Fontana Mixer (2004) generative sound environment
after John Cage
Karlheinz Essl, More or Less (1999-2007) computer-controlled soloists
Peter Ablinger, Violine Und Rauschen ("Veronica") (1995/96) violin and CD
Mauricio Kagel, Raga (from Rrrrr......, 1981) organ
Mauricio Kagel, Rossignols (from Rrrrr......, 1981) organ
Karen Power, Cows, Coffee, Birds, Bees and a New Room (2007), double bass and CD
Peter Ablinger, Orgel Und Weltempfänger (1999) organ and FM-receiver
Wim de Ruiter, Whim (1997) violin and organ
Karlheinz Essl, Sequitur-III (2008) violin and computer
Fergal Dowling, Stops (2008) organ, violin, double bass, and computer